Friday 28 July 2023

Stan Free caught moonlighting

Stan Free - Conbreef for Adams (1959)

 Some physique models branched out into advertising, Cliff Smith posed a lot for Domenique's clothing range and Fred Collins advertised shorts for Royale (not such a challenging task!). I stumbled across this ad with Stan Free looking very well-endowed in Man's World (Sept 1959). 
Support in those days was not about emotional crises.


This image has been added to Stan's folder at the mitchmen Royale Studio Open Archive 

Tuesday 25 July 2023

Tibor Urgay and Ray Andersen

This article is a supplement to the new Tibor Urgay Index page 
which has just been added to the Royale Studio model list. 

Tibor Urgay by Royale Studio

The Royale Studio model Tibor Urgay was gifted (from a curator's point of view) with an unmistakeable appearance. His baby face and fair, curly hair contrasted with a surprising, well developed and bulky physique. He's seen here posing astride Royale's trademark half-roundel, polo mint prop.

Ray Andersen by Lon of NY (1953?)

On occasion Tibor was (understandably) confused with the US model Ray Andersen (above) who modelled for Lon of NY in the early 1950's. In fact five images of Tibor wrestling nude with Brian Lamprill were published in the US magazine 'Gym' in April 1960 and labelled as Ray Andersen v Gerri Haywood (see image below). 


Tibor wrestling nude with Brian Lamprill in 'Gym' magazine

Gerry Haywood (not Gerri) was another British model who did some work with Royale but quite how the magazine mixed up these names quite so comprehensively is a mystery. On another occasion they published a picture of Peter George labelled as 'Harold Andsbury', but I suspect this is one of Royale's 'joke names' of which more in another post.


Ray Andersen by Don Young (1955)

The story of Ray Anderson is tragically short. He was nicknamed 'Golden Boy' by Lon of NY, on account of his 'flaxen hair and tanned skin'. Lon first photographed him in 1953 aged 17, but the earliest magazine appearance I have found is in 1955 modelling for Don Young Studio in a slightly Royalesque woodland location.

Ray Andersen by Don Young (Vim, May 1956)

These images give a rather better impression, both of his physique and sex appeal. The resemblance to Tibor's appearance is striking so some confusion was understandable. When the world of beefcake discovered him he already had a successful career as a trapeze artist (which seemed a common route to success in the 1950's and accounts for those powerful shoulders). He had also appeared in the 'Big Top' TV show.

Ray Andersen by Don Young

Ray made the front cover of Vim in January 1956 
with an image that shows alluringly large nipples gracing impressive pecs 
and a classic 'washboard' stomach.

~

Sadly Ray's life was brought to a tragic end the following year when he suffered serious injuries in a traffic accident and died suddenly from undetected internal injuries a few months later. 
Lon penned a moving, two page memorial for him in Man's World (Feb 1958) 
from which much of this article is taken.

The Royale Studio Archive

by mitchmen

Images at this blog which bear the 'Royale Studio Open Archive' legend have been enhanced. All the images from this series, including unenhanced originals, those omitted for quality reasons, variants and source references will be uploaded in due course to the mitchmen Royale Studio Open Archive. (click on link to check).

If any reader possesses different, related images and would like to add a digital copy to the Archive I would be delighted to hear from him via the e-mail address at my Profile. All contributions will be fully credited in the Archive records.


For links to similar sets please use the labels below


Saturday 22 July 2023

Brian Lamprill and Tibor Urgay at the Royale Studio Archive

Nude wrestling, vintage nudes, painful holds
Brian Lamprill (right) wrestles with Tibor Urgay for Royale Studio

I've now posted the final version with all 13 available pictures in this sexy set 

 Check out Brian Lamprill's Index Page for the link

Thursday 13 July 2023

110 Denbigh St (updated 20th July)

 Updated 20/7/23 with more information about the garden

110 Denbigh St in 2022
click to enlarge

110 Denbigh St (seen in the middle of the picture above with the black door) was Royale Studio's base for the whole of it's existence from 1957-1962. According to the electoral register, it was Basil Clavering's home from 1957 to 1965. 

When Dolphin photography (later Hussar) was split off in 1960 they set up shop elsewhere in Golden Square. It's not known if the Dolphin pub seen at the right in the picture above had anything to do with the naming of Dolphin photography. It's a newish building (possibly 1960's) but there was bomb damage here during the blitz (see below) and apparently there was formerly a 'New Dolphin' on the same site. Dolphin Square, once described as the most notorious address in London was also just round the corner.

man in shorts kneeling with ball Basil Clavering vintage British gay photo
Royale Studio Advertisement in 'Tomorrow's Man' magazine (1958)
 

The house is situated in the Pimlico area of London, just north of the river and about 15 minutes walk from the Houses of Parliament, Tate Gallery and Buckingham Palace, not to mention the seedy area around Victoria Station including the (then) notorious Biograph Cinema

As well as using this address for selling Royale's photos, there's good evidence that Basil set up a studio there, possibly in the cellar. It's also claimed that Basil used the garden of No 110 for photos, but this is doubtful. 


The 'Garden' Location(s?)

Basil uses outdoor 'garden' shots in these early photo sets:
However, a modern aerial view of the house (outlined below in red) 
doesn't show very much garden at all at the property. 

Click here to enlarge

The small garden is bounded at either side by similar, Denbigh St properties and at the end by mews houses. These would have been coach houses for the property originally and for that reason align exactly with them physically and chronologically. Most were converted into residences and sold off when carriages fell out of use but they still formed the boundary of No 110's garden in Basil's time. 

This area sustained bomb damage during the war. The map below from Bomb Sight shows that 3 fell at the front of the property and 2 in the mews behind it. 

Click to enlarge

I don't think these bombing locations can be exact but it's been reported elsewhere that bombs fell directly on the mews buildings. However the same site describes what is there today as 'original surviving' and they don't appear to be modern rebuilds, so it's likely that these bombs were responsible for the large open space seen in the lower part of the aerial picture which includes the site of the post-war built Dolphin pub two doors down from No 110. It's possible that Basil had an undeveloped bomb site on his doorstep in 1957 but it's unlikely that it could have formed the elegant garden shown below in 'Unapproved School' (Part 2) and also used in 'Captivity/Escape', let alone the mature orchard-like woodland which was the setting for 'Navy Romeo (Part 2).

Unapproved School (Part 2)

This garden looks far too manicured to be an old bomb site. It looks like a public space like a park but the availability of a functioning hose pipe and privacy considerations seem to rule that out. 

The brochure for the Colville Exhibition says Royale pictures "were taken in the basement of Clavering's home in Chelsea". This conflicts with other accounts which specify Pimilico. Colville don't mention the garden. Interestingly, when Basil died, his address was given as Chelsea. That house does have a garden, but not a very big one and I don't know if he owned it when he was living in Denbigh St.  

Before moving to Denbigh St, Basil lived briefly in 'Riverside', a road in rural Wraysbury. I haven't found the specific house (which had a name, 'Halcyon', not a number) but all the properties in that area have big gardens. The garden setting only appears in Royale's early pictures, so it's conceivable Basil was working on his Royale project while he was living there, then moved back to London to start up the business. 

Doug Strohl by George Greenwood ca 1958

Recently I came across this photograph of Doug Strohl taken by George Greenwood who owned the publication 'Man's World'. It was taken in the grounds of Man's World headquarters at 'The Manor House' in Worcester Park, Surrey. The flowers and fence seen in the background have a passing resemblance to the garden seen in 'Unapproved School' just above, unfortunately I haven't found a better view of the fence although Greenwood took lots of pictures at this spot. The brickwork is part of some steps which are right in front of the house, so it would be feasible to rig up a hosepipe. 


click to enlarge

This is the aerial view of The Manor House today (much altered at the rear according to it's Heritage listing). You can see it's bounded by a large area of parkland and trees. Many of Greenwood's photos show models perched on fallen boughs with lawn and trees in the distance and may well have been taken here too. 

By itself this is flimsy evidence for Royale's garden images but there was also a degree of connection between Greenwood and Royale. Thus, Doug Strohl in the picture above posed for Royale as well as Greenwood and they 'shared' other models too. More significantly, Man's World was the very first publication to print any of Royale's pictures, in December 1957. They continued to print them, often several images a month, right through to mid 1961 at least. I haven't found records after this but this is suggestive of cordial relations between them. 


Other Outside Locations


UNAP1-18

Whilst it's almost certain that the garden images were not taken at Denbigh St, it is possible, that the house itself was used to photograph the last two, outdoor images in Part 1 of  'Unapproved School' which show (above and below) the two captives trying to escape by scaling outbuildings. 

The corner arrangement above is typical of 19th century terraced housing in Britain, where an angle is formed between the main part of the house and an extension at the rear which typically housed a kitchen. It was narrower than the rest of the building to allow for a rear window in the breakfast room, such as that seen on the right here. In the aerial photo you can see extensions like this clearly on all the Denbigh St houses and the place where this picture might have been taken.



The aerial picture (earlier) seems to show that the rearward extension at 110 Denbigh St is only one story high* just like this building. However the corrugated roof in this picture suggests it was an outbuilding rather than part of a house used as a home. Basil could afford to get his roof repaired! 

The gable end and church tower (?) seen in the distance don't seem to fit with the present day topography of the Denbigh St area. Therefore it seems unlikely that this picture was taken at Denbigh St and so the preceding one probably wasn't either. There is a church with a plain square tower next door to the Worcester Park building but it's not obviously the one in this picture.

There's another suggestion for the location of these images in the comments at the foot of this post

Incidentally, if this was Basil Clavering's property the security precautions are formidable! 
That barbed wire seems to be part of the storyline for Part 2 of the storyette.


Interior Locations

*In the Denbigh St aerial picture, there's a small first floor extension sitting on top of the kitchen, which typically would house a toilet or bathroom, maybe it's the one we see in Navy Gash.

~

I am indebted to P.M., who carried out all the research into where Basil Clavering lived

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